Chanel staged a replica of the Cruise 2025/2026 show at Raffles Singapore—manifesting a cinematic, sun-kissed glamour that mimicked an Italian getaway.
True to form, Chanel unveiled a vibrant and contemplative Cruise 2025/206 show at Raffles Singapore last month—a replica of the show held on the shores of Lake Como, within the old-world charm of Hotel Villa d’Este. Guests—Tilda Swinton, Rebecca Armstrong, Gemini, Margaret Zhang and more—who arrived sat on colonial-inspired, rattan and wicker chairs to see sartorial pieces that were grounded in carefree elegance and vibrant femininity.
Everything you need to know about Chanel’s replica Cruise 2025/2026 show in Singapore:
Inspired by the Italian getaway, the Cruise 2025/2026 collection dreamed up sun-kissed palettes, lightweight tweed fitted for sunlit days and flouncy layers garlanded with embellishments—from sequins to beads and rhinestones. Framed at the colonial-style hotel, the collection echoed coastal chic with sophisticated silhouettes. We even saw subtle discotheque forms—a short black taffeta bustier dress and white taffeta evening trousers grazing the runway. Glided with intricate laceworks, floral motifs and stripes, the runway was also a fashion fortress that was enveloped with nonchalant splendour. Even strings of pearls, minaudières and big poolside bags made an appearance.
As the final looks swept down the runway and the evening transitioned into celebration, it became clear that this Cruise 2025/2026 collection was more than a seasonal offering; it was an ode to the languorous elegance of Italian summers—one that felt perfectly at home under Singapore’s own sun-drenched skies. The lightweight tweeds, airy silhouettes and breezy fabrics seemed tailor-made for the tropical heat, proving that the romance of Lake Como translates seamlessly to Southeast Asia’s balmy climate.
With Raye’s soulful melodies and the pulsating energy from Rio Sidik and DJ Nicolette filling the Singapore night, Chanel proved once again that fashion’s greatest power lies not just in the clothes themselves, but in the immersive worlds they create—bridging continents, eras and sensibilities with effortless grace.
