It’s quite uncanny how Cartier can find elegance in the most unexpected of objects. But then again, when one markets themselves as the “master of shapes”, should we even be surprised?

The Baignoire watch in yellow gold, in mini and small models, Cartier
The shape in question now is the oval, the distinctive curves of which define the Cartier Baignoire watch. Since its inception in 1912, the Cartier Baignoire has been an understated masterpiece in the Maison’s repertoire. Its name is derived from the French word for “bathtub,” which might seem like an odd choice for an iconic luxury watch. That is, until you consider the sleek, oval silhouette it embodies. It’s another prime example of Cartier’s wit when it comes to design and inspiration.

The Cartier Baignoire watch, small, with diamond bezel.
A seamless blend of Cartier’s two great loves—watchmaking and jewellery design— this season the Baignoire is celebrated in four new versions. Each one bringing its own charm and je ne sais quoi to the Baignoire family.
The Baignoire’s Four Faces of Elegance

Right: The Baignoire monochrome mini watches, Cartier
First up, we have the mini Baignoire, bright and bold in its newly lacquered iteration. Black, plum, or bronze lacquer highlight its oval dial, embraced lovingly in the Baignoire’s distinctive case. Fittingly, this is paired with a monochrome leather strap for a measure of understated elegance.
Up next, a small model Baignoire that scales up this timeless timepiece in the most opulent way. Crafted in yellow gold, this model is quietly unapologetic about taking up a bit more wrist real estate. Perfect for anyone aiming to make a statement in boardrooms, art galleries, or cocktail soirées.
A Glitzier Statement

Right: the Baignoire bangle small model in rose gold with diamond bezel, Cartier
But for an even glitzier statement, Cartier has rolled out a rose gold version of their much sought-after Baignoire bangle, now adorned with a bezel of diamonds. Additionally, each diamond is held in a triangle setting to artfully respect the natural curves of the watch case.
Finally, the piece de résistance, a Baignoire that’s positively drenched in luxury. Imagine a mother-of-pearl dial surrounded by rows of pavé diamonds, then enveloped in yellow gold, further enhanced with a slightly domed effect for added depth and texture.
Timeless Appeal

While this 2025 line-up is dazzling enough to make our collective hearts skip a beat, it’s the story behind the Baignoire that remains truly inspiring. A creation that first emerged as a quiet revolutionary in 1912 (when Louis Cartier created it for the Russian Grand Duchess Maria Pavlovna), the design hit its stride in the 1970s. That was when the watch truly evolved into a bona fide classic with its Roman numeral dial, domed crystal, and smooth golden bezel. It was spotted then on the wrists of French actresses Catherine Deneuve, Jeanne Moreau and Romy Schneider. Now, testament to its longevity and appeal, the Baignoire has grown its fanbase to include the likes of Tyler, the Creator, Emma Chamberlain and Kendall Jenner.

Lou Doillon, for Cartier
This season, ultra-talented actress/musician/model/artist Lou Doillon joins that star-studded list as she becomes the official face of the Baignoire. Daughter to French director Jacques Doillon and fashion icon, actor/singer Jane Birkin, Doillon is the embodiment of contemporary French elegance. She is a creative chameleon whose sophistication beautifully represents the versatility and enduring grace of the Baignoire watch. Just as Doillon moves between mediums with poise and confidence, the Baignoire transitions effortlessly from decade to decade, occasion to occasion. Whether you’re drawn to its fresh lacquered minimalism or the bold bravado of its larger bejewelled models, one thing is certain. The Cartier Baignoire is a timeless style statement that takes you where you want to go with stylish ease.

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abd. aziz draim
Currently the creative director of BAZAAR, Aziz has been helming architecture, fashion, and design magazines for two decades now, and he’s been doing it in two languages to boot. Citing Rei Kawakubo, Vivienne Westwood and Jean Paul Gaultier as his earliest fashion gurus, this amateur poet believes that nobody deserves an ugly pair of shoes.