The story of Henry VIII and his six wives—the divorces, executions, law-breaking and rule-rewriting that irrevocably altered European history—dominates history books and television screens to this day. But the woman who always gets lost in the drama is the one who arguably lit the match that set the British monarchy aflame: Catherine of Aragon, Henry's first wife. The Spanish Princess, a new series from Starz, offers a look at the changing world of Renaissance England from her perspective, one completely unknown to contemporary audiences. Here, Catherine of Aragon (Charlotte Hope) takes back her narrative with steely resolve, painting an image of a woman who lived, loved, and lied to protect her people.
Today, BAZAAR.com has an exclusive look at nine glorious portraits of the characters who populate Catherine's world, with commentary from The Spanish Princess showrunner Emma Frost. "Catherine's story has always been told from the point of view of Henry VIII. She's the wife you don't want, and Anne Boleyn is there being all sexy. She's not given any agency," Frost says of the decision to adapt two Philippa Gregory novels, The King's Curseand The Constant Princess, to make the show. "It's an incredibly male-skewed point of view, and it does her a real disservice to suggest that she's just this boring character who can be discarded so easily."
For Frost and her co-showrunner Matthew Graham, it was paramount that women were telling Catherine's story behind the camera, too. 75 percent of the show's directors and editors are women, as is the director of photography, Maja Zamojda, and producer Andrea Dewsbery. "That really blew a different kind of energy into the show," Frost says. "We had a lot of conversations about the female gaze. You can really feel that female perspective of these [characters] as they struggle for power and struggle to have their own agency."
The Spanish Princess premieres Sunday, May 5 on Starz.
6 Margaret Beaufort (Harriet Walter)
Henry’s paternal grandmother, Margaret Beaufort, is more “mellow” in her old age, says Frost. “She’s got what she wanted: Her son is on the throne. He’s got two sons of his own, an heir and a spare. Everything’s looking good, God is smiling on them.” She adds, “She thinks her battle is over. Until, of course, Catherine turns up, and then it flips over. The irony is, in this season, Margaret’s the only one who’s right. Margaret knows what Catherine’s about, and Margaret turns out to be right for once.”